Plan your t-shirt: three elements to succeed
There are a variety of advances today, from inkjet transfer to online designers, to structure and print your own folders in a simple and reasonable way. However, the simplicity of generation does not guarantee a decent structure. Three plan segments are then taken into account when creating a structure for a folder: Contrast, Size and Balance.
The complexity is the distinction between * brightness * between hues. You have to differentiate between your ink tints and your shirt. For example, the splendid yellow, a perfectly decent shade, is not useful for content on a white shirt, because white and yellow have a comparable splendor. It is difficult to browse the yellow letters on a white background. In the same way, dark-toned inks do not appear well on dull-colored shirts. The navy ink, for example, will not appear on a dark shirt (or a burgundy shirt, or Timberland green, and so on ...).
Another area in which you need to consider differentiation is simply the realist. A realistic text style (or a varied text style) with a set of comparative shades, for example pale blue, dark purple and dark, will be difficult to recognize; the lines and hues will be obscured together. The difference between light and dark shades will make your illustrations simple to perceive.
The size makes a difference with regard to the structure of the shirt. Bigger is usually better for both content and realistic components. Your structure should have the ability to be traveled at a distance of about six to eight feet. Keep your content generally simple, or if nothing else makes sense, not a lot of words that are huge and actually observed. Individuals do not have the opportunity or the tendency to browse a passage of content on a folder. You have about 3 seconds to communicate because the need is felt before the t-shirt goes on the cruise. Although smaller content can be used, be sure to reserve it for less important data than your principle intended, as they would be less well observed.
Parity refers to the general flow of content and images on your shirt. One format is described as substantial where there is a ton of symbolism or thick, complete and text style styles. As the word suggests, when there is a region that is overwhelming (or light), there should be a comparable region on the opposite side. The parity can be centered left / right or up / base. As a component of the plan, balance is a territory where there is the most respite to challenge the guidelines. Generally, a deviated and deviated configuration can be enthusiastic. Anyway, for a work of art, make sure your components are snug.
If you know the Contrast, Size and Balance elements when planning your shirt, you'll be well on your way to getting a result that will be externally satisfying for both you and your audience.
